If you have been following the Brooklyn jam scene over the last few years, you might be familiar with the band PEAK. If you follow this blog, you surely are. The force to be reckoned with holding down the keyboard and providing the primary backups and vocal solos is the one and only Johnny Young. A multi-instrumentalist, including piano, guitar, drums and percussion, Johnny Young has played with a ton of artists and toured all over the world. His solo vocal tracks with the band such as, “It Ain’t Over ‘til the Credits Roll” emphasize his prowess as a solo powerhouse on stage and off. Beyond all that, Johnny is just a fantastic human being.
His online bio goes on to say that he has either headlined or opened “…for both the famous and the obscure.” Obviously, I know him best for his work with PEAK but he’s also an Emmy Award winning composer with work in a variety of soaps as well as the Oprah Winfrey Show. He has worked in bands with folks like Giant Flying Turtles and Mick Taylor, just to name a few. At home in Brooklyn, he runs a full studio space doing recording. When it comes to all around accomplished musicians, Johnny is an outstanding example of getting it all done and then some and how good that can sound. It should be no surprise that when it comes to a full length solo record, he is going to throw down with a little bit of everything in the pot – and that is exactly what he has done.
Johnny’s recent solo release, Up All Night, showcases just how well he knows his way around a song, both writing it and laying it all out musically. The album is a wild trip from start to finish, and it’s a trip well worth taking.
The tracks are rocking while still having a hint of ethereal flight with strong lyrics and a solid, every changing groove. You can stay on the ground and move yourself with the beat, or you can sit and think on the sentiment, the mood, and the words. Songs like Law of Gravity kick you with hard hitting drum power and soaring vocals that are laid across a cool, bluesy vibe. Those awesome drums were laid down by Rich Zuckor who can also be heard on three other tracks across the record. In contrast, the track Never Let Go sounds like it could be a movie soundtrack staple with its great vocal overlays and catchy piano. A song like I’m Feeling Alright brings a funky, jazzy pace that is not only fun, but feels like something I need to have in my headphones all day every day for the lyrical inspiration alone. This song is a vibe! My favorite song on the album though is Searching for a Clue with its dirty cool vibe and stop and go tempo that reminds me of something heard in a dark, smoky after hours club, late at night. Totally danceable, totally sing-a-long friendly, and just a really good time. There is fantastic drum assistance on four of the tracks The whole album is a great eclectic mix of styles from pop, and rock to jazz and R&B.
The full album, Up All Night, from Johnny Young is available now on all major streaming platforms. You don’t have to take my word for it, but this album is a unique step into the well rounded, well versed rock and roll world Johnny has spent his life cultivating – and it’s a damn good time!
Jeremy Hilliard is that multifaceted musician’s musician who cannot be pinned down to one scene, one vibe, one trick. He is on one hand the founder and lead man behind the New York City based psychedelic-funk jam band PEAK. On the other hand, he is a modern Americana singer-songwriter who has been releasing folk infused songs that ponder life, living, and the world around us since the pandemic sent us all home to our living rooms. After quietly releasing multiple batches of his brand of music through Soundcloud and Bandcamp, he has put out his first official solo record, Trouble For Another Day on all major streaming spots and it’s a wonderful, cerebral journey worth taking.
The album includes help from PEAK bassist, Josh T. Carter and also spirited and soulful backups from Bethany Hilliard on several tracks. When COVID had us all sheltering place for months, Jeremy was often streaming living room sessions with his wife Bethany (and occasionally their cat) which seemed a perfect springboard for the solo projects that followed. This full length effort is peppered with the feels of those sessions – the hope, the precariousness, and the wonder of it all. The album has a genuine Americana vibe and at times feels like a car ride through the countryside in the autumn – crunchy leaves blowing through the sunshine and heavy thoughts sprinkled through your mind. Particularly tracks like “American Blue” where this feel is layered over storytelling, carrying a message as deep as the valley pools you encounter on this journey. As someone who was raised on a bit too much Peter, Paul, and Mary and now lives and breathes the likes of Woody Guthrie and Pete Seeger, I am mildly infatuated with this wonderful resurgence of folk songwriting. This music that carries messages from generation to generation. This album is a fantastic example of that in so many ways.
“Swallowed By The Jungle” is another great track from this record with a steady pace and vocals that follow along, rythemic to the beat like a railway. The words are deep and pondering with great lines like, “Life, Love, And Death are a trinity” that kick you right in the soul in these bizzarre and tumultuous times. “Beautiful Reason” is a slower, gentler track with Jeremy’s trademark guitar sound and a lovely, hopeful and positive vibe in the lyrics, proving just how a well written song can light you up as fast as it can send you into a cavern of your own thoughts. Then you have a song like “What Kind of Person Are You Anyway” that ponders the true nature of those around us all the time. This song feels like meeting new people, jiving with them for a while, and sitting down to really wonder who they are. “Are you the dirt that returns to the earth that which is hers, or are you the poison that will cause her to hurt?”
I mean, I feel like I have had these conversations with myself more often than I could recall. I love that about music. It relates to you as much as you relate to it, and this kind of music has always been my favorite for those moments of wonder. As we all wander along through this world that often seems determined to test us as much as possible, so much truth can be found in the words of artists who dares to write out what resides in their soul. Even better are those who have the skill put it to music. That feels to me like the soul of this record. Listen to the song “Too Much of Everything” for even further perspective on that. This song feels like the middle of the pandemic when we had done everything we could think of to get through yet another unprecedented event in our lives that was testing the very fabric of everything we thought we were. We didn’t know what to do anymore, so we did everything we could think of. Now here we are, dealing with the overwhelming reality of it all. It’s remarkably relatable.
I have always liked this storytelling aspect of songwriting and I guess that is what always drew me into the worlds of folk music and it’s many layers. Several years ago, I started to lose my eyesight and was introduced to audiobooks. As a bibliophile, it was a hard transition to have to listen to words instead of being able to hold a book and read them myself because then my mind didn’t get to decide what the narration sounded like. Then I had a realization that it was much like the singer songwriter music that I have always held dear in that these are still the same words, but spoken so that eyes can rest while the mind is still active and running through stories, adventures, and feelings. I realized right away that this is why this music is so wonderful – it’s been telling us stories for so many years, passing them along from generation to generation in the purest aspect of what music truly is. It teaches lessons and allows the mind to wander through situations, contemplating the emotions and outcomes. This is exactly that kind of music. Jeremy simply takes that concept of storytelling and laces it expertly through his brand of guitar driven folky rhythms that still never lose that thing that makes PEAK such a fun band to see. The songs carry you. They carry you along with a groove. Your toes tap, your shoulders move ever so slightly with the song. Though this record is a very different kind of vibe overall, it’s still the product of the same groovy soul – and that is distinctly palpable with every track.
You can find Trouble For Another Day from Jeremy Hilliard everywhere music streams, and I think you absolutely should. There are travels to be had and concepts to ponder within these fantastic songs that I cannot recommend highly enough that you do. Check out the links below:
Festivals are a wonderful experience that really needs to be lived to be appreciated. This blog has spent many years coming and going to all sorts of fests in the Northeast and enjoying the energy that takes over the site each time one sets down its roots for one. It’s always been a favorite activity for us that we would look forward to every year the moment the first mention of “festival season” was uttered. Unfortunately, being diagnosed with multiple sclerosis put a wrench right in that plan for me and changed my summers as a music journalist forever. It took a few years to get my footing as a disabled festival goer, but I was given the opportunity this year to take that plunge at the first Catbird Music Festival in Bethel, NY. I cannot say enough how much I loved this gorgeous fest.
As someone who has grown up watching the Woodstock film and obsessing over its history and folklore, getting the opportunity to visit a festival like Catbird was an absolute privilege. There was magic in the air that weekend, and it was palpable the moment you drove into the long driveway that leads to Bethel Woods. If you have not attended a show here, I highly recommend it. The grounds are not only beautiful with their rolling hills and expertly designed facility, but it is truly meticulously maintained. The historic home to the original Woodstock festival in 1969, history and preservation are of major importance to this facility and it’s evident in every inch of the property. The entire facility was designed to be a part of the landscape rather than change the landscape to suit its needs. It’s all built into the land and rolls with it.
While I was absolutely confused as to where I was supposed to be parking with my handicapped permit, the staff on hand helping with the parking aspect of the festival were kind and friendly. I didn’t encounter a single staff member while I was there who was anything outside of helpful and smiling. That’s not easy in a crowd of people. I was herded to the right spot and took my place among the other cars with their dangling placards. There was even a shuttle service on hand in the parking lot for handicapped patrons which I did not make use of, but was happy to see regardless. It was conveniently located very near where I was sent to park.
Entering the fest was a breeze. I was issued a wristband with a chip inside so that I could scan in and out of the festival. Being that this is a weekend event, it was made easy for folks to be able to come and go as they needed to with this kind of technology. Bags were checked quickly and thoroughly without issue, and we were in!
There were two stages set up, one at the top field which you see upon entering the concert facility, and the other in the arena itself. I like the main stage/side stage set up as it allows some separation between acts and gives you the opportunity to move through the festival instead of having to keep to one space for the entire weekend in order to enjoy the music. The field around the second stage had hammocks and plenty of space for folks to spread out with blankets if they so desired.
As I walked down towards the main stage, I was loving the fact that this location allows you to really spread out and just BE. There were people sitting on rocks and in the grass and on hills all around the center. Under shady trees there was always a few people gathered. I also loved how many kids there were at Catbird! SO MANY KIDS! Babies all the way up to teens were with their families across the main lawn, playing corn hole or dancing. Some were just sitting together on blankets and enjoying the music. It was a truly lovely vibe across the entire festival that families could come and enjoy this music together and that made for an even more gorgeous weekend. Kids 10 and under were free to enter the festival as long as they were with a ticketed adult – what a wonderful thing for families! There is nothing better than being able to bring your kids to enjoy a festival of wonderful live music, and Catbird made that possible.
Having watch the Woodstock film more times than I have probably watched the backs of my eyelids, it was really cool to see all the camping set up around the festival as well. The rolling hills around the center have not changed too much and it made it easy to spot the different camping set ups around Bethel Woods. The property itself is enormous and they did a wonderful job spreading everything out so that nothing felt cramped. We have covered some festivals with very jumbled camping in the past, so this was a nice thing to see. And really, it was just so pretty!
I do have to say that there is a LOT of walking required to navigate Bethel Woods. As a disabled person who walks with a cane, this was a challenge, but nothing that could not be handled with some patience. Thankfully things were never really crowded anywhere thanks to the expansive facility that it is so for me, it was simply a matter of taking frequent breaks. There are a lot of benches and places to sit around the center which was immensely helpful. There is also a lot of staff around to assist if you had any questions or ran into an unexpected issue. That was a relief!
One thing I saw that I really loved was that people were carrying plastic bags and collecting cans from around the center. At first I was not sure what this was all about, but it was nice to see! On my next walk, I came across the tent for Rock and Recycle. This bunch of fantastic folks encourages attendees to fill a bag with cans for recycling and trades the full bag for a festival shirt! What a great idea! It keeps the discarded cans off the ground and out of the landfills which serves a global purpose while keeping the beautiful grounds impeccable. I hope to see more and more of this!
It goes without saying that the music this whole weekend was amazing with sets by artists like Trey Anstasio Band, Dispatch, Charley Crockett, Amos Lee, Margo Price, Tyler Childers, and so many more. A huge highlight for me was Trampled By Turtles who I had never seen but absolutely LOVED. Their energy was simply infectious and bounced right off the crowd with so much enthusiasm! Clearly I was not alone in that as I saw fans running to see them as their set began! I also loved finally getting to see Band of Horses who I have enjoyed for over a decade. I count “Laredo” as one of my favorite songs and getting to see it done live in such a gorgeous setting was pure magic. I hiked to the top of the lawn and watched them with a crowd of dancing families and it was such a treat.
I also was surprised by how much I enjoyed 49 Winchester over on the Gala Music Stage, for no other reason than that I had never heard them before and was treated to their music upon entering the festival right away! Their live set was a real treat with a lot of emotion and energy – I was truly transported. I have heard them called country, but I feel like their sound is a fresh feel of soulful Americana with classic mountain vibe. I definitely walked away wanting to hear more. Much love to them for a great set!
From the standpoint of accessibility, I have to give Catbird huge props for making sure that ALL fans had an enjoyable and safe experience at their festival all weekend. Entry was easy and moved smoothly, restrooms were clean and very easy to access for everyone regardless of ability, and the grounds were set in such a way that despite the excessive walking required, there was ample space to stop and take a breath if you needed to. At no point in time did I ever feel slighted or not welcome here and that was truly a wonderful feeling. This is a festival that really, genuinely understands what it means to have accessibility and inclusivity for ALL fans. While I did encounter some struggles this weekend with my ability to enjoy things as much as I wanted to (multiple sclerosis is a jerk), that had nothing to do with Catbird or Bethel Woods and they made every possible arrangement for fans like me to be able to enjoy as much as we could. They truly rank highly for me as a welcoming place for any fan.
This was the first Catbird festival and I really hope they will be back at Bethel Woods again next year because I have every intention of being there again. This is a festival for ALL fans, young and old, and I would love to see it be an annual event.
The Catbird Festival will be coming for their first go on the original concert grounds of the historic Woodstock Music and Arts Festival on August 19th and 20th. Now part of the Bethel Woods Center for the Arts, the original grounds have been lovingly kept and maintained for visitors to come and visit for many years. The center itself has it’s own separate concert pavilion, keeping the original concert field as a memorial to the festival that brought hundreds of thousands of music lovers to the fields once owned by Max Yasgur back in 1969. Catbird will be the first festival to bring music and camping back to the grounds.
SCHEDULE: With two stages of music, Catbird is bringing a list of jam and indie artists for all kinds of tastes in a truly special environment. Attendees can check out The Lumineers, Band of Horses, Trampled By Turtles, Dispatch, The Trey Anastasio Band, and Tyler Childers, just to name a few. The fest has released their schedules for both days on their website, and you can check them out right here:
MUSEUM: In addition to music, the festival will allow (for a fee) attendees to stop by the Museum At Bethel Woods to check out the wonderful preservation work on the music and times of the original Woodstock festival. A favorite place of mine, the museum showcases not just the unique weekend at Bethel, NY in 1969, but also the historic significance of that time in history and what was happening all over the country to inspire so many to travel for such an important event. There are interactive exhibits and immersive experiences throughout. It’s a truly lovely place to visit to really feel the spirit of Woodstock.
FOOD AND LODGING: The Catbird Festival offers a variety of food vendors to fit all sorts of tastes with items like tacos, calzones, and seafood. The camping offered this year has several options for festival goers from car camping, tent camping, RV options with and without hookups, and even a “glamping” option for those who need a little extra pampering. The camping passes start at just $99 and are still available at this time. There are some lodging options in the area, but it looks like most of those have been snatched up by attendees as of today. There are a handful of options still taking reservations in nearby Liberty and Monticello last I checked.
TICKETS: Tickets for the Catbird festival are still available with one ($145) and two day ($205) options for General Admission. There are also some Plus, VIP, and Platinum options available as well with extras like access to special lounges, lockers, and a dedicated concierge services. Parking is included in all ticket prices, regardless of tier, though there is a Premier Parking option available starting at $70 which gives access to the lot immediately opposite the entrance.
ACCESSIBILITY: Accessibility features at this festival so far are outstanding. In addition to reserved handicapped parking (as long as you have the necessary state issued placard/plates) and accessible entrances to the festival, there will be an on site Accessibility Services Hub for patrons who might need to stop in for additional assistance or information. There are also accessible camping options and if needed, patrons can reach out to access@catbirdmusicfestival.com after their tickets and passes are secured. In addition, those patrons who are deaf or hard of hearing will see that the schedule specifies which artists will have ASL translation ready to go. Just look for the hands in the bottom right corner of the artist listing.
That’s the preview, folks! A Perfect Mess is BEYOND excited for this festival. We will be on hand at the grounds to provide up to the minute coverage and updates on Facebook, TikTok, Instagram, and Threads, and we cannot wait to bring you all the excitement of the first Catbird Festival!
You don’t stop loving live music just because you become disabled.
This is something I learned from experience, and it was not always a happy experience. In 2021, I was diagnosed with multiple sclerosis. I had no idea at the time how much it would impact my life as a music fan. Since then, I have lost significant vision (including some color) in my right eye. This has heightened the hearing on my right side. Most prominently, I have also lost some of my balance causing me to require a cane when I know I will be on my feet. This is made worse due to sudden surprise bouts of severe vertigo or the occasional “foot drop” that catches my foot and sends me tumbling. I also struggle to stay on my feet when conditions are hot and need to have someone with me all the time, just in case. This has impacted my ability to enjoy a show the way I always did. I no longer feel safe going alone and difficult conditions are now often impossible ones. Things like stairs and uneven ground, large crowds or too little space can be a dangerous situation for me. This has all opened my eyes to things I wish I had known to be conscious of before – that not all shows and venues are friendly to the disabled community.
I have had other attendees knock me over, use my cane for their balance walking up stairs, or push me into walls or barricades – mostly because there was simply nowhere else to be as space for patrons who needed it was not made available. I have been in situations that I had to climb stairs to get to rest rooms or vendors because elevators were not made available. I have had venues tell me I could not bring someone with me, despite wanting to pay for that person to be there with me. I have also had staff go above and beyond to make sure I was able to get to my ticketed seat, restrooms, and vendors safely and without issue despite obstacles and made sure that I was able to enjoy the show despite my limitations with vision.
I have experienced the very best and the very worst of the NYC area in terms of venues and whether or not they care for their disabled patrons. This goes beyond ADA (Americans with Disabilities Act) accomodations. Those are quite simply THE LAW and it would shock most people to know how few of those are even taken into account. Before I attend anything now, I have to Google the venue, the event, the area, and everything in between to see what their accessibility options are just to determine whether or not I can even go. When certain bands hold a “lottery” for their tickets, this becomes even more of a challenge. What’s worse – perfectly able bodied fans who claim to be otherwise to get the seats that ARE allotted for people like myself.
As an independent music journalist, it’s my job to bring these things out in the open. Moving forward, A Perfect Mess will be making sure to cover the accessibility and inclusion of all shows and venues where a review takes place. If I am in attendance, you will know what the options and accommodations are. It’s much needed information for the disabled community and the music community as well.
No one should have to stay home because they cannot feel safe at a live show due to disability. I intend to make sure that if there is a way, we will all be there listening to the music, feeling the vibe, and enjoying the show.
You might be staring at your summer calendar and wondering where to head for live music or who you should be looking out for. Well, look no further, friend. We here at A Perfect Mess have got you covered! We are here to let you know which bands to watch out for this summer. We do the work, we listen to the music, we check the flyers, we have you in the know!
The weather has finally warmed up in this strange weather year, and that means Festival Season is upon us again! That can mean only one thing…
Three days with no shower.
Ewwwwwwwwwwwwwwwwwwwwwww.
Just kidding. You can buy those at Walmart now, friends! What it truly means there is music for days and good times to be had with fantastic friends, cold beverages, and smiles all around! Summer doesn’t just means festivals though. Weekends and weeknights are booked solid at our favorite local venues inside and out. There are a ton of great shows happening. Let’s take a look at the bands you should be checking out while you are out there this summer!
One Time Weekend:
Photo from Facebook – One Time Weekend
The band with the mantra, “We groove – You move.” should need little introduction. We caught these guys at a festival that shall not be named in New York a bunch of years back and they blew us away. Still very new, they opened the show so a lot of people missed them, which was a shame because they are fantastic. Their debut full length album, ‘Weekend at the Circus’, is a spinning and dancing funk rock explosion with every song giving you a different taste of what this band is capable of. Now they have a new full length called ‘Fire It Up’ bringing equally tasty “shred-funk” jams peppered with well written harmonies and killer solos. On top of that, they do a killer live show. We have delighted in watching them get bigger and bigger in the years since that first time we caught them, and this summer they are all over the place. Find them at Peach Fest in Scranton, PA (6.29 – 7.02), FarmJammaLama in Brookville, PA (7.8), Hill Country in New York City for a Phish After Party (7.29), Asbury Jams in Asbury Park, NJ (8.03), and many more! Check out their website www.onetimeweekend.com for more dates! Get out and catch them!
PEAK
Photo from Facebook – Peak
PEAK is a band I was introduced to via an assignment from The Jamwich way back in 2018! We have been keeping you all updated on the goings on with that outstanding New York City band for a few years now. Psychedelic Indie Funk with killer jams that send crowds spinning while giving thoughtful lyrics you can hang along with makes PEAK a late-night dance fuel band not to be missed when you are out and about this summer. They are a perfect blend of jamtronica and moody, illuminated indie tied together with stellar, sky high jams. The band’s debut full length Electric Bouquet gave everyone a glimpse into where guitarist/vocalist Jeremy Hilliard’s mind wanders to. Somewhere between catchy rock vibes and cool jam grooves. Followed up with the full length album, ‘Choppy Water’, and PEAK brings you into a whole other world told through storytelling and pure rock, folk, and jam vibes. The band fills out with keymaster Johnny Young, Bassist Josh Carter, and drummer Kito Bovenschulte. The band has been all over the Northeast this year and last, adding dates all the time. You can catch them at Funk N Waffles in Syracuse, NY (7.14) and the fantastic Yasgur Road Reunion in Bethel NY (8.12). Keep an eye to their website for always added live dates at www.peaktheband.com. They are a truly outstanding live band!
Desmond Jones
Photo from Facebook – Desmond Jones
Good golly, these guys! Another band I reviewed a bunch of years back for The Jamwich and I have had them on my radar ever since. A band that never takes themselves too seriously but absolutely could, if they chose to! I am so glad they don’t. They bill themselves as having four studio albums, viral cat videos, and being Mom and Dad approved. A five piece band from Grand Rapids, MI, these guys bring a sound that is bit of funk, a lot of rock, and “a big ol pile of saxophone” to their live shows and I am here for it. They have been out there doing their thing since their beginning back in 2012 and it’s so awesome to see them all over the dang place this summer. Their show dates are up and rolling with Summerfest in Milwaukie, WI (6.30), Smiling Acres Music Festival in Trufant, MI (7.1), Shagbark Music Festival in Alaska, MI (8.4-8.5), and a ton more. Keep up with this fantastic band over at their website, www.desmondjonesband.com and get out to see them where you can!
Doom Flamingo
Photo by Wild Muse Media / Angela Ricciotti
This is legit a band that I was not sure if I could include here, except that it has jam scene players and I have seen them on festivals I was at and OK SO WHAT – they are freaking AMAZING. I slept on this band for too long. Referred to on their website as a “six headed synthwave beast”, this band is comprised of stellar players who were friends and decided they really liked making people dance. So they do! Their vocalist Kanica Moore has one of the most positively uplifting voices I have ever heard. Their funky, blast off energy is everything you ever wanted shooting through every inch of your body. I cannot fathom sitting still at one of their live shows. Doom Flamingo’s most recent full length album, Peaches and Bobbi, is stuck on my playlist and its not moving. Their live shows are stacked and you can catch them out at Resonance Music and Arts Festival in Garrettsville, OH (7.1), 4848 Festival in Snowshoe, VW (7.14), Cobblestone Live Music and Arts Festival in Buffalo, NY (7.15), and so many more. Head on over to their website at www.doomflamingo.com to keep up with the band and their dates!
Dogs in a Pile
Photo by Nick Codina @nickpicks710
“Cat on a tin roof, dogs in a pile, nothing left to do but smile, smile, smile.” A nod to The Dead from their song ‘He’s Gone‘. I love these guys already. From my home state of New Jersey, but down south in the legendary Asbury Park where so much fantastic music was born, these guys have been popping up on festival lineups for a few years now and I dare say I have not gotten out to see them enough. Their sound is a funky take on rock, psychedelica, and a swirling of jazz that brings you on an exciting and eclectic adventure and really – what is better than that? Their most recent full length album, ‘Bloom‘, is that eclectic mix of reggae beats, funky bass lines, dance feels, throwback vibes, and just plain old good jam grooves. I’m a recent listener and I have to say, I might be joining that Dog Pile I keep hearing about. You can get out and check these guys at the Peach Music Festival in Scranton, PA (6.30), The Rye Bread Music and Arts Festival in Schaghticoke, NY (7.27-7.29) Catskill Mountain Jubilee in East Durham, NY (8.10), and a TON more. Head on over to their website for more dates and more on the band at www.dogsinapileofficial.com!
This is HARDLY a complete list. There is a ton of great music happening right now and you just need to put your ear out there and give a listen! We are always here to take suggestions so if you know something great that is happening, give us a shout in the comments or send an email! As always, see you out there!
Beardfest 2023 Lineup Blends Jazz and Jam: Mark Guiliana, Spafford, Isaiah Sharkey, Snacktime, Dogs in a Pile, and more.
FOR IMMEDIATE RELEASE Hammonton, NJ – Beardfest just announced its 2023 lineup. The annual festival has evolved from a hidden gem into a cult-following event that draws thousands of fans to the NJ Pine Barrens’ Paradise Lakes Campground. This year’s lineup features a strong showcase of jam, jazz, dance, and guitar-driven artists, including Spafford, Mark Guiliana, Dogs in a Pile, Isaiah Sharkey, Pink Talking Fish, Out of the Beardspace, and more.
Named after the NJ-based progressive jam band “Out of the Beardspace,” Beardfest has steadily grown to draw national acts without succumbing to the overcrowded chaos that makes some larger festivals feel like a Lord-of-the-Flies experience. Each year, Beardfest attracts over 2,000 fans to its unique location in the picturesque NJ Pine Barrens, offering ample camping space and a beautiful lake where attendees can swim next to the main stage.
“We’re excited to bring back Beardfest for another year to showcase incredible talent and bring our community together,” said event organizer Jeremy Savo. “Whether you’re a fan of jam, jazz, funk, or dance music, Beardfest has something for everyone.”
Community plays a big role in Beardfest. In addition to the music, the festival offers a variety of workshops, activities, and interactive installations suitable for attendees of all ages. From fire dancing to yoga and wellness classes, there’s something for everyone at Beardfest. Tickets for Beardfest are available now on the event website, www.beardfest.net. The festival is family-friendly, and children under 12 can attend for free.
About Beardfest: Beardfest is an annual music festival in Hammonton, NJ that celebrates the joy of community and the power of music to bring people together. Named after the band “Out of the Beardspace”, the festival features a diverse lineup of musical acts with a focus on jam, jazz, funk, and dance music. Beardfest is committed to creating a safe, inclusive, and welcoming environment for all attendees, regardless of gender, race, or background.
Please check out the festival webpage for tickets and further information and updates!
In the summer of 1969, thousands upon thousands of people descended on the gorgeous area of Bethel, NY and found themselves on the farm of Max and Mirium Yasgur. They were meeting up with like minded souls for four days of music and peace. What they found in those rolling hills, lakes, and trees was exactly that with a special kind of welcoming that is hard to explain unless you feel it for yourself. There is something in the ground in this area. A divine energy full of vitality, soul, and peace that permeates everything and everyone who stops to feel it. It’s palpable the moment you take off your shoes and walk around. Something becomes a part of you and it never leaves. You find yourself wanting it to be a part of you every year – and I say that from experience! For many years after the original festival took place, attendees returned annually to feel that vitality and meet up with friends they connected with that summer weekend. The feeling and that kinship was something that folks have long wanted to keep alive, and it’s been being kept alive in the best possible way over at Yasgur Road.
Yes, we know that Bethel Woods is here, and I heartily suggest that any visitor to the area head over to the original concert field, stand at the bottom, and take it all in. It’s a truly moving experience. It’s like you can hear the roar of the crowd in the wind that carries across the field. There is often a peace sign lovingly mowed into the grass, and things are so well maintained. But it’s a part of a large venue now and not a place that you can come, camp, and feel kinship with others. Fear not, friends, as that is something being cultivated a few miles up 17B at Yasgur Road. In addition to hosting campers for most major events at Bethel Woods, they also host many of their own events on their gorgeous farmland and amazing wooded camping areas. The best event of the year is their annual celebration of the reason so many people still take a pilgrimage to this area – Yasgur Road Productions annual Yasgur Road Reunion. It takes place the on the anniversary of the original festival every August and is a great way to commemorate the true meaning of Woodstock with peace, love, and music. This year, the Reunion will be taking place Thursday August 10th through Sunday August 13th and celebrating an incredible 54 years of Woodstock.
The bands on the lineup include ShwizZ, PEAK, Forbidden Fruit, Mums the Word, Gypsy Funk Squad, Sistermonk, and so many more. There is a fantastic covered stage area, great woods camping, facilities with plumbing, vendors, art, and a wonderful and truly welcoming festival atmosphere that simply can’t be beat. We have been covering festivals for many years at A Perfect Mess and this has become our favorite, three years running. So many fests seek to bring the spirit of Woodstock to what they create but none do it better than the original. We cannot recommend enough that you gather your favorite souls, head on up the country and dance to the music at Yasgur Road Reunion. You will not regret it!
This is one of the most affordable summer festivals you will find this year so if you are steering clear of some of the usuals because prices are up, this is the destination for you! Tickets for the event are available now and start at $89 for Friday through Sunday GA, including camping. There are also RV options available with and without hookups at the site and an early entry option for those who want to come and get things started on Thursday. For those like myself who are very concerned about accessibility at a festival, there is handicapped camping at no additional charge. This means a lot to us here at APM!
Please keep an eye to the web page at www.yasgurroadfarms.com in addition to their Facebook page at https://www.facebook.com/yasgurroad for updates to lineup and pricing, and make your reservations! A Perfect Mess will also keep you updated with any changes, and we truly hope to see and dance with you all!
One of the absolute best parts of starting this blog way back in 2011 has been the people I have been able to meet through their incredible music. With a small handful of exceptions, I have met the most stellar people through simply wanting to share their music with other people. I have met people from all over the country. People who make all kinds of music and give all kinds of energy. It’s been such an adventure and has warmed and broadened my life in so many ways. One of my favorite people that I have had the pleasure of doing this work with is Ryan Liatsis. A man unmistakable around the jam scene because of two key things – his insanely talented guitar work, and his mustache.
I have done work with Mr. Liatsis through several of his projects, most notably his original band ShwizZhttps://www.facebook.com/ShwizZ and more recently his work with the vocal magicians in Western Skieshttps://www.facebook.com/westernskiesmusic. Both have been an exceptional example of what a guitar master he is. His signature sound is of the soaring variety, velvety smooth and seemingly effortless. It was of course an absolute privilege to get the opportunity to review his most recent release, one that is all his own, and one that has this signature sound on a fantastic display. If you love a versatile, guitar focused instrumental album, this is for you and you are in for a trip.
Ryan is a man of many talents, and that is evident in his new and very first solo release, Music That Makes No Cents, Vol. 1. This record is his decade long labor of love and is almost entirely self produced, self recorded, self mixed and self mastered. All songs were written by Ryan and all instruments with a few exceptions were played by Ryan. Let me state first that if you are going to invite a few special guests to help out with your solo record, there are few I would choose other than the ones he did. Most are drummers, with the likes of Neal Evans, Kito Bovenschulte, Kevin Soffera, Jordan McQueen, and Paul Cesario. He also gets some help from exceptional bassist and fellow ShwizZ musician Scott Hogan. It’s a well stacked grouping of awesome.
The first track, 11:11, kicks open the whole collection with a very hard rock spiced piece of Ryan’s multi-layered shredding, woven with synth and heavy drum work (care of Paul Cesario). The album then moves over to Dragonfly which immediately gave me super calm vibes while still having an earnestly rocking soul. Easily my favorite song on the album. This is that soaring guitar sound that Ryan does so well. Almost midway, it slows to a piano solo before picking back up with guitar that gives an emotional feel. This song will take you on an adventure, if you let it. Speaking of emotional, All On One is gorgeous, beginning with a dreamy far off sound that pulls you in. Not quite as calming, but it will definitely give you the feels for something with the subtly climbing notes and really pretty break about halfway through that comes back hard right into your heart. This expertly layers sounds to give depth in places throughout the songs in a way that plucks right at your internal strings.
Saturator is another great rocking track, with drums care of Kito Bovenschulte. This song is a mix of exceptional guitar playing dexterity while keeping with head bobbing beats. Coming in strong and hard with melodic layers of sound, it has fantastic use of climbs and stops. It’s absolutely talking to you throughout. I love that Ryan uses the guitar like a vocal in that respect. There is a story being told throughout this record but it’s entirely up to the listener to discern or decode exactly what that is. Every track is deliciously different and capable of captivating even the most captious listener.
My genuinely take on Music That Makes No Cents, Vol. 1 is that it’s brilliantly written and put together beautifully. This record is a batch of stories told through music like a Choose Your Own Adventure Book, and it’s all up to you which road you take and which page you turn to. There is trip worth taking with yourself within, and I highly recommend that you do. I am sure if we picked Ryan’s brain as to what he envisioned while writing these songs over ten years, he would have buckets of information for us – but what fun is that? I didn’t really get into instrumental albums outside of old jazz and the occasional Joe Satriani song until very recently and this album was such a breath of fresh air for me. My advice to you is do what I did when I first got my hands on it. Plug in a really comfortable pair of headphones, get good and cozy in your favorite spot, close your eyes, and let the music take you where it will. Additional substance assistants are entirely up to you.
You can get yourself a download of Music That Makes No Cents, Vol. 1 over at BandCamp here:
We were drenched from head to toe, despite our thin plastic ponchos. We were cold, as the temperature had dropped into the mid 40’s with a wind that ebbed and flowed with its own prerogative. We carried nothing but my “zoo bag” purse strung across my body and a cold bag full of beer and alcoholic iced tea. We shivered as we walked through the mud, dodging puddles that swallowed whole feet and filled shoes. Under normal circumstances, we were in a situation that would have had us declaring “fuck this” and heading back to our sketchy but warm motel room in Monticello and ordering some takeout while planning an early voyage back home to our own lake in New Jersey.
But that wasn’t tonight. Tonight was special. Our dear friends in Peak had invited us to Yasgur’s Farm to see them play Yasgur Road Productions’ “May Meltdown” festival. It was not a normal festival. We have shown up for lots of festivals, but this was different. This was a legendary place. The entire area has an infectious energy that seems to come up from out of the dirt. Every single day people arrive just to feel it. But there was so much more to this evening.
Before COVID came and closed all the clubs and all the venues, before it took over our schools, our hospitals, our families and our entire lives, the last show we saw out and about in the world was Peak. We saw them play at The Bowery Electric on February 29th, 2020 and it was a wonderful, pure, and energetic evening. I look at the photos from that night and I can feel the sweat I was shedding as I danced, and I can feel the joy that I felt in that moment as I let myself be enveloped by the kind of magic that only music can conjure. For the entirety of the COVID shutdown, I thought often of that feeling and that show. The insecurity that was brought on by over a year in relative isolation, despite occasional cheat days with friends we knew were clear of COVID due to recent testing, created a haze on the joy that live music had always given me. It’s such a strange thing to think about. But anyway, our last show before the world went crazy and then shut down was Peak.
It surprises me none that our first show back would also be Peak.
I just had no idea it would be in a place I had been trying to get to my whole life.
To know me is to know that I have kind of a pervasive fascination with the Woodstock festival. My husband has on more than one occasion called it a weird obsession. He’s not totally wrong. For me, it’s like an itch. It’s an itch that no amount of watching the videos or listening to the record has ever been able to scratch for me. My parents were 19 years old in August of 1969 and in my opinion, the perfect age to understand and appreciate everything that it was, whether or not they actually did. They met in college at what was at that time Glassboro College. They both remember that weekend vividly, even though neither one of them attended the festival. They saw the feature film from Woodstock in the movies on a date. It was a highlighting of so many artists that they knew and loved and it was important to them. As a result, every single time that PBS played the film during a telethon throughout my childhood in the entirety of the 80’s, we watched it. We watched it as a family. I knew all the dialogue from beginning to end.
Much of my teenage years were spent listening to modern music that I loved but split evenly with the music my folkie parents raised me to love. Crosby, Stills, and Nash, Bob Dylan, Arlo Guthrie, Jefferson Airplane, Etc etc etc. I used to pick at their brains about these artists and why they loved them. What their lives were like when they first heard them. What they thought about the songs. I feel like I could just go on forever. No matter what I heard in my life, no matter what band or artists I fell in love with (and there were many), no music ever resonated with me or felt like it understood me like that. It makes perfect sense to me why I would enjoy watching Woodstock. But why is it so deep? It didn’t matter tonight. Tonight, I was here, and I was here with some of my favorite people. We had made it through all of this, and here we were.
I showed up with my husband on this rainy, cold night. We got our wrist bands from the amazing women set up in ponchos under a canopy in front of the barn proclaiming the Yasgur name. Despite how wet and cold the world was in that moment, these gals were truly an embodiment of polite joy in their duties as gatekeepers to this amazing place. It felt a genuine privilege to meet them. We moved on from that station and parked our car in the muddy field, and prepared ourselves with ponchos and umbrellas for our hike down into the woods. We made our way down through the puddles into the forest and found tents of habitation, tents of retail purpose, and it felt like festival season was just alive despite the conditions. I don’t know what food vendor it was that had the booth closest to the entrance to the woods, but their tents smelled divine. We moved on down towards the performance tent, tucked under the trees among the bravest campers I think I ever saw. The conditions were terrible for camping with temperatures well below what they should be for Memorial Day weekend in the Catskills and rain that continued to fall in buckets. But there were campsites! Tents set up with popup canopies and spots for hangouts within those woods. I couldn’t say enough that night how much I admired those folks. The energy within those trees was incredible.
I first discovered Peak in 2016 when i asked the Facebook masses for some new material to dig into. A friend and colleague, Cat Sisco, referred me to this new release from a band called Peak – a song called Barometric Pressure. I had been driving for Lyft at the time and was constantly adding to a playlist that I played while out spending hours driving. I added this song to my list and after many hours on the road became addicted to it. A couple years later, I was writing occasionally for the Jamwich magazine and I received an email from my editor. She knew I was working in midtown for a publisher and could easily check out a band having an album release show. She asked if I could go and review Peak. Of course I took the assignment and off I went. That was how I met Jeremy Hilliard and Johnny Young.
Jeremy Hilliard, the guitar and voice behind Peak, used to be in a band called Turbine. When I told my husband that evening that I was headed over to cover his show, he was excited his old colleague was off on another adventure. That night I showed up to their venue in the village and met up with Jeremy in the bar. We walked to the pizza spot across the street where Johnny and his wife, audio tech, and superhero Michelle Young were. The four of us sat down and rapped about influences, music venues, and the vibe of it all and in that moment, I knew I had met lifelong friends and amazing musicians. Their energy was infectious and sincere. These were folks who genuinely loved what they were doing. I was bummed that night that I didn’t hear ‘Barometric Pressure’, but I heard so many other songs that were exciting. I left a genuine Peak fan.
Later, Kito Bovenschulte of Particle and Josh Carter of Haley Jane and the Primates were added to the mix and the entire sound started to morph into an entirely new, amazing trip. They were the dance-funk vibe that the songs that Jeremy and Johnny had drafted were missing. Now the band was complete. And along the way, we were following. Fast forward to this past weekend…
Peak was in rare form on this particularly wet night. Not only were they back in front of an audience for the first time in well over a year, they were in truly ceremoniously Woodstock 1969 wet conditions in front of people who were feeding off their contagious energy like a festival game of Hungry Hungry Hippos. Every single member of the band played with the fire of one thousand suns behind their instruments. They played a few tunes, including “Choppy Water” from their upcoming new album by the same name. Then, all of a sudden, there was “Barometric Pressure”! Yay! I might have hurt myself dancing in that moment.
Speaking of dancing, we were all in a tent in the woods with the stage. When we arrived, there were a handful of people under the tent leftover from the previous band’s set. As Peak began to move, these people started to come in from the rain. It was like beings moving towards a light in that moment and all of a sudden, our dancing numbers had doubled. Then they tripled. I am not sure what the numbers were when the set ended, but I know that with the conclusion of every song, there was more applause, whistles, and deliciously positive energy. At one point, the guys busted into the unmistakable intro to Zeppelin’s “The Song Remains The Same”. Lots of bands tease an intro like that, and that’s pretty much what I expected it to be, but it didn’t stop. They played the whole song and they KILLED it. I remember turning to Josh’s wife in the crowd just to remark that he was absolutely knocking the bass parts right out the water. I have been listening to this song my whole life and I never heard someone cover it so flawlessly, but here were these guys destroying the song in the best possible way.
Our favorite song, “Path Paved With Roses”, was the second to last tune the guys did and it was so wonderfully amped up and dancy, I am sure egged on by the energy of the crowd that just darted around that makeshift, muddy dance floor. It was amazing and dream-like the way people circled around amongst one another. The encore was their song “When The Night Comes Calling You”, which after this weekend might very well take the top spot for me. I was dancing like I can’t remember ever doing. It was energy that flowed through bodies on the floor like electricity that had left its channels and was running wild. It didn’t feel possible to be in this magical place, feeling this incredible, despite everything that had happened to us all – everything that had happened to us as a species and a nation. We felt incredibly lucky. Peak brought us back to the wonderful world of live music. They were the bookends for us, to the pandemic, and normality.
And it was here, in Bethel, where positive energy emerges from the dirt.
I don’t know what will come of the world in the wake of COVID. I can say though that bands like Peak are there to help us navigate whatever it is. They are here to bring us slowly out of despair and isolation and back into the magic that is the energy of live music. To have been in such a magical place with a band that understands how to not only capture that vibe but encapsulate and hand it to their audience felt like a delicious privilege that I don’t really yet know how to file in my heart the right way. All I know is that I feel so lucky to have been there, dancing my ass off, and feeling it all in that moment in that wonderful place. That night my body more or less gave out from it all, and I didn’t even care. I was somewhere magical with some of the most wonderful people.
I look forward to dancing with you all as soon as possible. See you out there, friends…
