Category Archives: Ska

Happy Anniversary to “Firewalk” from The Prizefighters! Five Years of Steady Groove…

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Five years ago last week, I posted a blog on one of my favorite ska records to come out in the last decade…Firewalk from The Prizefighters. In honor of that record, here is the review I did of that fantastic album! If you are not already a fan of this band, you should be – so give a read and give a listen!

Originally posted February 5th, 2019

The Prizefighters are a Midwest rocksteady force to be reckoned with, and I have no problem saying they are leaders in their genre right now as a still fairly young band. I first heard them in the infancy of this blog when I reviewed their record Follow My Sound back in 2012. Not long after that, this blog went on a hiatus for a couple years while this band continued to build their mastery of the ska and rocksteady sound. This is no exaggeration.

The Prizefighters have been a backing band for respected legends like Derrick Morgan, Stranger Cole and Patsy Todd, Roy Panton and Yvonne Harrison, just to name a few. They have teamed up with legendary harmonica player and vocalist Charlie Organaire on a trio of 45rpm singles (released on Jump Up! Records) and a European tour. When it comes to an American band injecting real authenticity into a Jamaican sound, the Prizefighters have done more than their share of homework. They present this respectfully and as authentically as possible. This is clearly evident when you hear their new album, Firewalk.

The love and deep respect for the ska and rocksteady sounds is loud and clear through this record. In fact, the album was recorded in a 100% analog environment to preserve that sound and energy and it truly has the feel of something straight out of the 1960’s. I was immediately impressed by this. In a modern recording world with so many artists relying on technology to polish their sound, I respect deeply how much care went into the preservation of that vibe that we all know and love. It was perfectly captured. The groove of the record itself from start to finish is purely classic while still highlighting the modern chops of this band.

Right out of the gate, the record is a hitter. The opening track, Just Let The Music Play, has a steady bass groove, great smooth horns, and a gentle but hitting vocal. The next track, You’ll Never Know, kicks the energy right up with a sound that sends you straight back to the 60’s with the beat and the vocal energy. This is a fun song, and the horn and drum work is great, capturing that energy and sending it upwards and outwards. I would look forward to seeing this one done live, it’s a LOT of fun.

As much as I dig the Prizefighters’ vocals, they do a fantastic job with the traditional rocksteady sound as an instrumental as well. The third track on the album, The Accolade, is a great example of what they can do without vocal. Spectacular brass work and that steady chugging groove keeps feet tapping through to the end. Bebop Rocksteady is another one. It kicks right in with those horns to grab you and then holds on tight with a steady drum and bass groove. The thing about these folks is the way they make the music sing without having to say a word. They bring all the energy of an enormous crowd and funnel it through horns and bass to come out steady and smooth.

Skip on over to Burnt Toast and Black Coffee next and feel the energy immediately. That cool sound, great backup vocals, a great modern yet traditional sound. The vocals on this one are probably my favorite on the whole record. The title track, Firewalk, is another one worth mentioning. It’s got a sexy, creeping groove and these quick and shadowy vocals woven in that get right to the heart of the matter, “If the ground gets too hot, you must do the fire walk…” The sax work is really catchy and this track is the kind that will stick with you while keeping you moving. This is not a record to stand still listening to at all. 

All in all, this record is a must have. There is a lot of big talk out there about capturing a traditional sound and vibe in a recording. Usually instead, you get something concocted and over produced. The Prizefighters took their love for that sound and brought it way back. It rings bells in the soul to listen to their work on this record. It’s really, really well done.

Firewalk will be available on CD, cassette (yes!), and digital on February 15th. There will also be a vinyl release on Jump Up! Records later on in 2019, if you want to add some Prizefighters goodness to your library. The band’s record release show will be happening at the Turf Club in St. Paul, MN on February 15th, presented by Ska Brewing. For those of us on the East Coast, we can expect the band for a tour later on this year as well so we can get our own booty’s shaking.

You can check out more tour dates and release info on the band’s website, theprizefighters.bandzoogle.com

The Crucial Importance of Accessibility and Inclusivity in Live Music

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You don’t stop loving live music just because you become disabled.

This is something I learned from experience, and it was not always a happy experience. In 2021, I was diagnosed with multiple sclerosis. I had no idea at the time how much it would impact my life as a music fan. Since then, I have lost significant vision (including some color) in my right eye. This has heightened the hearing on my right side. Most prominently, I have also lost some of my balance causing me to require a cane when I know I will be on my feet. This is made worse due to sudden surprise bouts of severe vertigo or the occasional “foot drop” that catches my foot and sends me tumbling. I also struggle to stay on my feet when conditions are hot and need to have someone with me all the time, just in case. This has impacted my ability to enjoy a show the way I always did. I no longer feel safe going alone and difficult conditions are now often impossible ones. Things like stairs and uneven ground, large crowds or too little space can be a dangerous situation for me. This has all opened my eyes to things I wish I had known to be conscious of before – that not all shows and venues are friendly to the disabled community.

I have had other attendees knock me over, use my cane for their balance walking up stairs, or push me into walls or barricades – mostly because there was simply nowhere else to be as space for patrons who needed it was not made available. I have been in situations that I had to climb stairs to get to rest rooms or vendors because elevators were not made available. I have had venues tell me I could not bring someone with me, despite wanting to pay for that person to be there with me. I have also had staff go above and beyond to make sure I was able to get to my ticketed seat, restrooms, and vendors safely and without issue despite obstacles and made sure that I was able to enjoy the show despite my limitations with vision.

I have experienced the very best and the very worst of the NYC area in terms of venues and whether or not they care for their disabled patrons. This goes beyond ADA (Americans with Disabilities Act) accomodations. Those are quite simply THE LAW and it would shock most people to know how few of those are even taken into account. Before I attend anything now, I have to Google the venue, the event, the area, and everything in between to see what their accessibility options are just to determine whether or not I can even go. When certain bands hold a “lottery” for their tickets, this becomes even more of a challenge. What’s worse – perfectly able bodied fans who claim to be otherwise to get the seats that ARE allotted for people like myself.

As an independent music journalist, it’s my job to bring these things out in the open. Moving forward, A Perfect Mess will be making sure to cover the accessibility and inclusion of all shows and venues where a review takes place. If I am in attendance, you will know what the options and accommodations are. It’s much needed information for the disabled community and the music community as well.

No one should have to stay home because they cannot feel safe at a live show due to disability. I intend to make sure that if there is a way, we will all be there listening to the music, feeling the vibe, and enjoying the show.

Groove With a Purpose: Punch Up – The Brand New Full Length Release from The PrizeFighters!

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As a member of Generation X, I grew up looking backwards to the sixties with a certain level of respect that grew from the concept of protest music. People were working through so many social, civil, and environmental rights issues simultaneously and this important music was a means to gather, inform, and bridge the gaps between one another through awareness and working together. Nowadays, I look with chagrin and general disappointment at the modern music scenes and how much they are lacking in this style and purpose in their writing. Where is the music that tells a story of struggle to inform? Where is music that brings together activists for the same causes? It’s not as if we are without similar struggles. The fires are quite literally raging right now, and we need unity more than ever.

Just as I am about to give up on today’s music being truly socially aware, The Prizefighters have entered the chat.

This Minnesota ska and rocksteady band has been providing the US and abroad with a seemingly effortless throwback sound for well over a decade now. Their skillful use of traditional beats and ska groove creates a smooth and still outstandingly relevant feel that gives you hooks to sing and beats with which to shake what you were given. On top of all of that, they are writing songs with social relevance and stories of the fights we are embroiled in here in America. Their newest release, ‘Punch Up’, is no exception. The album is peppered with songs about the struggle to maintain our environment, our rights, our safety, and humanity. It’s a breath of fresh air from the stagnant music industry’s insistence on love stories and vapid, stale air. Instead, The Prizefighters have injected a sound of hope and fight – something we desperately need.

This is not new territory for the Prizefighters, but it was something they put genuine thought into for Punch Up. Sax man in the band Courtney Klos states, “While writing and recording the songs that would eventually comprise the album, we found ourselves discussing the origins of punk rock in the UK. Bands in that scene made history by calling out the Queen during her Jubilee, taking shots at corrupt institutions of power. At its core, it was a movement of punching up and it quickly spawned the resurgence and birth of many music-related subcultures: goth, mod revival, 2 Tone, skinhead revival, new wave, etc. All of it was possible because a movement dared to punch up the ruling hierarchy of society. The songs on this album were born from the same philosophy.”

The record blasts off with the track ‘Kick The Can’, a punchy and fun song with traditional ska grooves while discussing the frustrating devastation we bring on our enviroment. It was written as a call-to-arms in reaction to the hopelessness of our current climate crisis, in addition to the accompanying bureaucratic inaction that seems to have it constantly on fire. While pointing out how disappointing this all is, it brings with it a hopefully message of change. It’s an accurate depiction of the mindset of our nation as we watch reservoirs dry up, wildfires rage, and floods take lives and countless amounts of personal and property damage while our elected officials worry more about who’s bathroom someone might use and the ever present love affair with automatic weapons. Frustrated doesn’t begin to cut it, but this song brings with it an upbeat tempo of hope. We can’t make a change without raising our voices, and thankfully, The Prizefighters are on the scene to give us the blueprints with something awesome to sing along with.

“We can’t just keep our goal posts moving further down the line…”

“We are pound foolish and penny wise, hoarding wealth while the earth dies…”

“It doesn’t matter what we should have done then, it only matters what we’re gonna do now…”

It’s truly a rally cry – we need to fix things before it’s too late.

The band maintains this effort throughout the entire record, visiting with other socially and politically important topics like gun violence in ‘Think and Pray’. The song gives you a body-moving beat while discussing the tragic trend of “thoughts and prayers” every time the peace is pierced with the horrors of mass shootings here in the United States. While pointing out how such trite response doesn’t do anything to cure the violence, the song also reminds us that change can come from genuine positivity. It’s a reminder that we need to put that positive out to the universe if we want that positive back in return. The song is groove heavy and layered with steady beats and crisp, clean horn work in the Prizefighter’s signature way.

This same groove carries to other songs on the record like ‘Company Time’ which tells of how we need to look to the legends before us for their lessons and inspiration. They make mention of artists like Woody Guthrie and Bob Marley who both sang of freedom and human rights, especially those for workers. The entire album is very well put together sound-wise with a fantastic blend of rocksteady charm and singable lyrics to inspire.  

On the talent end, The Prizefighters have not only put out music that keeps the traditional sounds of Jamaica alive and well, but they have also backed the legends that helped create that sound on numerous occasions. Names like Stranger Cole, Derrick Morgan, Charlie Organaire, Roy & Yvonne, just to name a few. In addition, they continue to play out on the regular with bands like Hepcat and the Slackers who are still out there keeping that scene alive. The band is maintained with a blend of outstanding songwriting and genuine talent that culminates in a solid live show to back it all up.

The new album “Punch Up” is available now on vinyl LP, CD and digital streaming platforms everywhere. You can keep up with The Prizefighters over at their website – www.theprizefighters.net

https://open.spotify.com/embed/album/0wnXZzTRo4kKEIQLaU6Aac?utm_source=generator

THINK AND PRAY – New Track from The Prizefighters!

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Hey friends, get ready to hit the dance floor! There is another track from Minnesota’s stellar ska preservationists, the Prizefighters, just about to hit the public domain on May 19th. I can’t get enough of the good protest energy these folks put forth with this upcoming album of theirs, and this track is no less a statement to be made, but listen closely because it’s not entirely what you think!

Think and Pray, the next song released from the band’s up and coming full length record Punch Up, is a body-moving, groove heavy message of hope that positivity can change the world around you. It’s also a cool dig at all the “thoughts and prayers” offered into nothingness every time something tragic happens in our country – usually the result of senseless gun violence. This smart dual meaning is brilliantly laid out among the hearty dancing tone of traditional ska energy, always done so well by the Prizefighters. Their upbeat throwback vibe, laced with words that truly mean something, is a refreshing and welcome addition to the world. I am a fan of telling folks that you get back the energy you put out to the universe, and this song reminds us that while simple phrases in tragedy can be trite, real change can be effected by true positivity. That is something we can desperately use these days as the younger among us are doing their best to try to change our world for the better. I cannot wait for this record to hit. What a fantastic soundtrack to these times!

Check out Think and Pray on all streaming services!

You can get the full length record Punch Up when it releases on June 9th on vinyl, CD, and digital. The band’s album release show, which is sure to be a blast, will be going down at the Turf Club in St. Paul, MN on June 14th. If you can get yourself there, get those tickets here!

https://www.axs.com/events/484485/the-prizefighters-tickets?skin=turfclub

Keep up with The Prizefighters HERE!

https://www.theprizefighters.net

Falling Into The Soaring Sounds of Ryan Liatsis – Music That Makes No Cents, Vol. 1

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One of the absolute best parts of starting this blog way back in 2011 has been the people I have been able to meet through their incredible music. With a small handful of exceptions, I have met the most stellar people through simply wanting to share their music with other people. I have met people from all over the country. People who make all kinds of music and give all kinds of energy. It’s been such an adventure and has warmed and broadened my life in so many ways. One of my favorite people that I have had the pleasure of doing this work with is Ryan Liatsis. A man unmistakable around the jam scene because of two key things – his insanely talented guitar work, and his mustache.

I have done work with Mr. Liatsis through several of his projects, most notably his original band ShwizZ https://www.facebook.com/ShwizZ and more recently his work with the vocal magicians in Western Skies https://www.facebook.com/westernskiesmusic. Both have been an exceptional example of what a guitar master he is. His signature sound is of the soaring variety, velvety smooth and seemingly effortless. It was of course an absolute privilege to get the opportunity to review his most recent release, one that is all his own, and one that has this signature sound on a fantastic display. If you love a versatile, guitar focused instrumental album, this is for you and you are in for a trip.

Ryan is a man of many talents, and that is evident in his new and very first solo release, Music That Makes No Cents, Vol. 1. This record is his decade long labor of love and is almost entirely self produced, self recorded, self mixed and self mastered. All songs were written by Ryan and all instruments with a few exceptions were played by Ryan. Let me state first that if you are going to invite a few special guests to help out with your solo record, there are few I would choose other than the ones he did. Most are drummers, with the likes of Neal Evans, Kito Bovenschulte, Kevin Soffera, Jordan McQueen, and Paul Cesario. He also gets some help from exceptional bassist and fellow ShwizZ musician Scott Hogan. It’s a well stacked grouping of awesome.

The first track, 11:11, kicks open the whole collection with a very hard rock spiced piece of Ryan’s multi-layered shredding, woven with synth and heavy drum work (care of Paul Cesario). The album then moves over to Dragonfly which immediately gave me super calm vibes while still having an earnestly rocking soul. Easily my favorite song on the album. This is that soaring guitar sound that Ryan does so well. Almost midway, it slows to a piano solo before picking back up with guitar that gives an emotional feel. This song will take you on an adventure, if you let it. Speaking of emotional, All On One is gorgeous, beginning with a dreamy far off sound that pulls you in. Not quite as calming, but it will definitely give you the feels for something with the subtly climbing notes and really pretty break about halfway through that comes back hard right into your heart. This expertly layers sounds to give depth in places throughout the songs in a way that plucks right at your internal strings.

Saturator is another great rocking track, with drums care of Kito Bovenschulte. This song is a mix of exceptional guitar playing dexterity while keeping with head bobbing beats. Coming in strong and hard with melodic layers of sound, it has fantastic use of climbs and stops. It’s absolutely talking to you throughout. I love that Ryan uses the guitar like a vocal in that respect. There is a story being told throughout this record but it’s entirely up to the listener to discern or decode exactly what that is. Every track is deliciously different and capable of captivating even the most captious listener.

My genuinely take on Music That Makes No Cents, Vol. 1 is that it’s brilliantly written and put together beautifully. This record is a batch of stories told through music like a Choose Your Own Adventure Book, and it’s all up to you which road you take and which page you turn to. There is trip worth taking with yourself within, and I highly recommend that you do. I am sure if we picked Ryan’s brain as to what he envisioned while writing these songs over ten years, he would have buckets of information for us – but what fun is that? I didn’t really get into instrumental albums outside of old jazz and the occasional Joe Satriani song until very recently and this album was such a breath of fresh air for me. My advice to you is do what I did when I first got my hands on it. Plug in a really comfortable pair of headphones, get good and cozy in your favorite spot, close your eyes, and let the music take you where it will. Additional substance assistants are entirely up to you.

You can get yourself a download of Music That Makes No Cents, Vol. 1 over at BandCamp here:

https://ryanliatsis.bandcamp.com/album/music-that-makes-no-cents-vol-1

Additionally, you can find it on Spotify and other streaming sites!

Keep up with Ryan his work (he’s a busy gentleman) over at his Facebook page:

https://www.facebook.com/ryanliatsismusic

As always, see you out there!

Feeling The Groove With The New Single from Coolie Ranx – “Oh Girl”

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When I was 16 years old, I was introduced to the wonderful world of ska music. It was the mid-90’s and ska was in its third wave height so it was easy to fall in love with the sound and the energy. We were buying comps, heading to The Wetlands in NYC, covering ourselves in checkers, and enjoying this craze for everything it was worth. It was easy back then as it was on MTV and in the malls where we found ourselves creeping most weekends. I have memories of traversing the mountain roads of northern New Jersey with the sounds of the Toasters blaring from crackling speakers in an old Mazda, trying like hell to sing along with the chat version of The Toasters’ “Dub 56” and failing miserably. The man behind that fast chat was Coolie Ranx and in our minds, he was the master of that sound.

Since his work with The Toasters, Coolie went on to found The Pilfers which brought ska and punk rock energies into a rugged but danceable sound he called “raggacore”. Meanwhile, he continued to add his particular style and power to the mixes of dozens of releases and has remained a fixture in New York City’s ska and reggae scene. Coolie Ranx is honestly one of the hardest working members of the scene since 1990 and continues to bring that signature sound he nurtured and perfected to the masses.

Credit: Jeff Pliskin

Fast forward to now, and I have a message from Coolie asking me to check out his soon to be released single, “Oh Girl” for the blog. Suddenly I was 16 years old again. I have been devouring this song since I got the link and I honestly cannot get enough.

This track is everything you would expect from Coolie Ranx and more. His vocal is that soaring and brilliantly melodic sound that he has cultivated throughout his career. It carries you through the song with a comforting presence while telling a story of struggle, self-doubt, and a pure but heavy yearning. It’s a gorgeous combination, rounded out with a pulsing, heavy vibe and his signature “raggacore” sound in breakdown. The flow rises and falls in a multifaceted grind and infectious groove while pulling at your soul in the way he uses his voice. The drums, guitar, and those vocals culminate in aggressive tone at the build-up, creating a feel of pure ache, climaxing while still being groove heavy and danceable as the song comes to a close. Absolutely brilliant.

The accompanying credits go to Phil Wartel on steady hitting drums, Steve Capecci on groove-heavy bass, Jonathan Uda bringing the sky-high guitar riffs, and programmed drums, overdubs, and those flowing keys to Computer Paul. Honestly, if you can get through this song without moving with the beat and the energy of it, you might want to check your pulse. This is pure groove.

But as always, you don’t have to take my word for it. Check out the track “Oh Girl” on Spotify, Apple, and other streaming services today and see for yourself…

You can check out Coolie’s Bandcamp link below:

https://coolieranx.bandcamp.com/album/days-gone-by-2